“Viva La Mort: A Play With Song” reviewed by Frank Meccia

*** “Viva La Mort,” presented by The Conspirators and directed by Wm. Bullion, is an ambitious theatrical endeavor that merges classical and contemporary influences to create a unique, high-energy spectacle. Written by Sid Feldman, the play is set in the impoverished town of Ubly, Michigan, and utilizes The Conspirators’ signature neo-commedia style known as “The Style.” This approach melds the fundamentals of Commedia dell’Arte with intense emotional states, drawing additional inspiration from Kabuki, Kathakali, Bugs Bunny, and punk rock aesthetics. The result is a visually and emotionally dynamic production marked by grotesque makeup, vibrant costumes, and a frenetic pace.

The 1-hour and 45-minute play, including a 10-minute intermission, revolves around the classic dilemma of choosing between money and the more intangible values of friendship and family. The plot kicks off as the town braces for a visit from Viva (Libby Conkle), a world-famous, eccentric diva on her eighth husband. Viva’s visit is ostensibly a philanthropic one—she promises each resident a million dollars after her wedding, on the condition that they ostracize Sonny Miller (Andrew Bosworth), the town’s essential store owner and her high school ex-lover who unknowingly left her pregnant.

Conkle’s portrayal of Viva is a standout, capturing the character’s larger-than-life personality with flair. Bosworth, as Sonny, brings a grounded, relatable performance to the chaotic proceedings. Mitchell Jackson’s Mayor Finkle is a puppet of public opinion, and Dakota Norman’s Bishop Miller comically bumbles through his religious duties with palpable fear and confusion. Eva Andrews plays the inept police chief with a touch of irony, while Lex Mann Turner and Madison Rivers add a quirky charm as the Howard and Howard duo, reminiscent of the “Darryl and Darryl” characters from TV.

The ensemble cast delivers spirited performances that complement the play’s eclectic style. Justin Ly as Fritz and of note, Liam Ouweleen impressively handles all the roles of Viva’s many spouses, adding to the comedic chaos. The music, arranged and performed by Tommi Zender and Mary Spencer, and  Duke Mushroom, provides a fittingly eclectic backdrop to the onstage antics.

However, the play’s ambitious mix of influences—ranging from the slapstick comedy of the Three Stooges and the satire of Carol Burnett to the rapid-fire wit of Groucho Marx—can be bewildering. The production’s intensity and unconventional approach might resonate more with younger audiences who appreciate its frenetic energy and visual spectacle.
“Viva La Mort” is a daring theatrical piece that pushes the boundaries of traditional storytelling. While its complex, hybrid style may confuse some viewers, it offers a refreshing and original experience for those open to its avant-garde sensibilities. This play, with its rich blend of cultural and comedic elements, is a testament to The Conspirators’ commitment to innovative and dynamic theatre.

Viva La Morte is playing till June 9th with performances as follows:

Thursdays   7 p.m.

Fridays        7 p.m.

Saturdays   7 p.m.

Sundays     7 p.m.

It plays at Otherworld Theatre at 3914 N. Clark Street, Chicago.

Tickets are $30 and may be purchased online with student and senior discounts available.

Information and tickets can also be found at www.otherworldtheatre.org. 

To see what others are saying, visit www.theatreinchicago.com, go to Review Round-Up and click at “Viva La Morte”.

To learn more about this company, visit www.conspirewithus.com