“The Pillowman” reviewed by Frank Meccia

*** Review: The Pillowman at Jarvis Square Theatre
Martin McDonagh’s The Pillowman is a harrowing and darkly humorous exploration of storytelling, trauma, and authoritarian brutality. Directed by Derek Bertelsen, this production at the intimate Jarvis Square Theatre offers a fresh take on the script, notably shifting the relationship of the central characters from two brothers to a brother and sister—a bold choice that adds intriguing new dynamics to an already layered narrative.

Set in an unnamed totalitarian state that evokes Soviet-era Russia, the story revolves around Katurian, a writer whose gruesome short stories bear disturbing similarities to a series of real-life child murders. Played by Natalie Hurdle, Katurian is a mesmerizing presence on stage, exuding both desperation and fierce determination. Hurdle’s portrayal is both exasperating and captivating—you find yourself wanting to shout, “Be quiet!” as she repeatedly digs herself deeper into trouble. Yet, at the heart of it all, Katurian’s unwavering devotion to her stories makes her an utterly compelling protagonist.

The police interrogators, Tupolski and Ariel, played by Robert Tobin and Rian Jairell, form a riveting duo. Tobin’s “good cop” persona is merely a façade masking an equally sinister disposition, while Jairell’s Ariel channels raw aggression, embodying the characters barely suppressed personal demons. Jairell’s striking resemblance to the Broadway version’s Zeljko Ivanek adds an uncanny element to the performance. Both actors masterfully balance menace with moments of dark humor, ensuring that the audience remains on edge throughout.
Lucas Matteson delivers an astonishing performance as Michal, Katurian’s mentally challenged and deeply troubled sibling. His portrayal is both heartbreaking and unsettling, capturing the character’s tragic innocence and the disturbing implications of his past. The backstory of their upbringing—revealed in nightmarish flashbacks—explains much about Katurian’s fixation with violence and storytelling as a means of survival. The parents, played by ensemble members Renzo Vicente and Audrey Smith-Phillips, are chilling in their sadistic roles, adding to the play’s deeply disturbing undercurrent.

McDonagh’s Irish heritage often brings religious themes into his work, and The Pillowman is no exception. The play doesn’t shy away from critiquing institutional power, with the Catholic Church subtly woven into its web of influences. This thematic layer adds another level of discomfort, reinforcing the play’s overarching exploration of oppression and control.
Structured in two acts with a brief intermission, The Pillowman takes its time unraveling its intricate narrative. The second act, in particular, ties everything together, offering revelations that deepen our understanding of the characters’ fates. To reveal too much would be a disservice—this is a play best experienced with fresh eyes and an open mind.

Staged in an intimate 30-seat theater, this production ensures that audiences feel every ounce of tension up close. The Pillowman runs at the Jarvis Square Theatre, 1439 West Jarvis in Chicago, until April 6, 2025.

Performances are:

Fridays and Saturdays at 7:30 PM,

Sundays at 3:00 PM, with an additional showing on Thursday, April 4, at 7:30 PM.

Tickets are $20, with student and senior discounts available ($10-$15). Reservations are highly recommended, as performances are likely to sell out quickly. Tickets can be purchased at www.astonrep.com or by calling (773) 828-9129.

AstonRep Productions has built a reputation for intimate, thought-provoking theater, and this staging of The Pillowman is no exception. However, potential audience members should be aware—this play is not for the faint of heart. Due to its unsettling themes and depictions of violence, no one under 16 will be admitted (though an 18+ restriction might have been more appropriate). For those willing to step outside their comfort zones, The Pillowman offers an unforgettable theatrical experience, blending pitch-black humor with profound emotional weight. If you appreciate dark humor and psychological intensity, this is one production you won’t want to miss.

To see what others are saying, visit www.theatreinchicago.com, go to Review Round-Up and click at “The Pillowman”.