[rating=4] Chicago is becoming a breeding ground for Broadway Musicals. Why not? After all, we have the best audiences in the world. Our audiences are composed of people who love the theater, not just those who say they saw a particular show. Lately there have been many books and or movies that have been converted into a spectacular musical. The latest is Kate Wetherhead’s “The Devil Wears Prada”, which became a sensational movie. This particular show is destined to have a cult following. Those who fell in love with the book and the film will surely be in the audience for the musical. At tonight’s opening, there were screams from every corner indicating that even during previews the “devil lovers” were out there.
To make the pre-Broadway musical even more of a cult item, add the music of one Elton John ( who paid the show a visit earlier this week) and lyrics by Shaina Taub. I was impressed with the way the stage play followed the storyline allowing the person who has no knowledge of the book or movie to still understand the storyline. The story is about the fashion industry and the people that control it. Andy Sachs (an incredible Taylor Iman Jones) is a young want-to-be writer who lands a job as a second assistant at a fashion magazine in New York. The magazine is “Runway” and it is run by Miranda Priestly (Played to perfection by Beth Leavel). Her first assistant , who is Andy’s boss is Emily Charlton (deftly handled by Megan Masako Haley).
Here is where I need to tell you that last week I revisited the film to refresh my memory of the story and characters. Please understand that these three ladies had some pretty big shoes to fill as these roles were handled by Anne Hathaway, Meryl Streep and Emily Blunt. I must tell you that the trio of ladies on the stage at the Nederlander Theatre handled the roles with style, class and all of them can sing! Nigel ( the role played by Stanley Tucci in the film) is brilliantly handled by Javier Munoz.
There are times in the story when one feels concerned for Andy and her life style change with the new job. Her relationship with her besties and her boyfriend are altered by the career moves and despite changing for the job, deep inside she never loses the “good girl” loyalty and caring. She makes mistakes ( as do most of us) but does the right thing when the situation calls for it!
The ensemble gathered for this production is powerful and we learned tonight that during the run they have had numerous bouts of Covid causing many substitutions and as I always say the understudies and swings have become more valuable of late due to the pandemic. An interesting story in this “tryout” is that of a Chicago actor, Sawyer Smith. Sawyer has done numerous shows in the area and was cast as an ensemble member for this production. A few weeks ago, Covid hit and Sawyer had to stay out for the required days. Sawyer got well and as new shows go, there are changes almost daily for the cast to learn. Sawyer came back and ended up with a broken arm. Director Anna D. Shapiro ( of Steppenwolf fame) said Sawyer was not being replaced, but rather she redid costumes and blocking to accommodate the casted arm. When Elton John stopped by to view the show, seeing the cast, he autographed it, so Sawyer’s dream of going to Broadway never was in question thanks to the marvelous people involved with this production.
The sets (Christine Jones and Brett Banakis) are amazing. We watch the elevated train lines of New York become the Eifel Tower in a matter of a minute. Spectaular!, The costumes (Arianne Phillips) are magical and the lighting design (Paule Constable) illuminating. The sound (Nevin Steinberg) is clear and the choreography (James Alsop) interesting to watch .For five weeks they have been bringing this show, with changes almost daily , to our Chicago audiences. Two more weeks and then producer Kevin McCollum ( a long list of success stories) will bring it to those in New York who will hear about this worthy production. It is nice when they can transform a movie to a musical and keep the story intact.
You can catch the show before it heads to Broadway at The James Nederlander Theatre ( formerly the Ford Theatre) at 24 West Randolph as follows:
run time 2 hours-25 minutes with intermission.
Thru – Aug 21, 2022
Tue, Aug 9:7:30pm
Wed, Aug 10:2:00pm & 8:00pm
Thu, Aug 11:7:30pm
Fri, Aug 12:7:30pm
Sat, Aug 13:2:00pm & 8:00pm
Sun, Aug 14:2:00pm
Tue, Aug 16:8:00pm
Wed, Aug 17:2:00pm & 8:00pm
Thu, Aug 18:7:30pm
Fri, Aug 19:7:30pm
Sat, Aug 20:2:00pm & 8:00pm
Sun, Aug 21:2:00pm
To purchase tickets Visit www.BroadwayInChicago.com to order your opportunity to see history in the making!
To see what others are saying, visit www.theatreinchicago.com, go to Review Round-Up and click at “The Devil Wears Prada”
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