“Romeo and Bernadette” reviewed by Frank Meccia

*** Romeo and Bernadette is a delightful and comedic twist on Shakespeare’s timeless tragedy, Romeo and Juliet. With book and lyrics by Mark Saltzman, this Off-Broadway musical was once slated for a Broadway transfer, but the pandemic halted those plans. In hindsight, it may have been a blessing in disguise, as the show could have struggled to attract a large enough audience to sustain a Broadway run. However, in the intimate setting of the Skokie Theatre, under the skilled direction of Bernard Rice, the production shines, proving that great storytelling can flourish on a smaller stage.

The plot is a clever spoof: Romeo does not perish in Verona but instead drinks the wrong potion and falls asleep for 400 years. When he awakens in 1960s Verona, he begins searching for his beloved Juliet. Instead, he finds Bernadette, a foul-mouthed Brooklynite on vacation with her mob-connected family. Enthralled, Romeo follows them back to Brooklyn, determined to win her heart, despite her engagement to a bumbling mobster. The absurdity of this premise is played to great comedic effect, offering a refreshing take on a classic love story.

Jeremy Ramey’s musical direction and conducting elevate the production significantly. With 21 songs set to famous Italian melodies, Ramey ensures that the music remains a central and compelling force throughout the show. The blend of operatic grandeur with the humor and swagger of a mob comedy creates a unique and entertaining soundscape.
The cast, comprised of talented performers from MadKap Productions, brings an infectious energy to the stage. Tyler Lord, as Romeo, possesses a strong, expressive voice that carries the romantic sincerity of his character while also embracing the humor of his situation. His chemistry with Megan Mariko Boggs, who plays Bernadette, is delightful. Boggs delivers a standout performance, embodying the tough yet lovable mobster’s daughter with charisma and a powerful voice. She is certainly a performer to watch in future productions.
Supporting roles also add to the show’s charm, though some performers are not given as much opportunity to showcase their full range of talents. Alex Iacobucci and Camille Penza, playing Sal and Camille Penza, are accomplished singers but do not have as many standout moments as in previous productions. However, Devon Desmond as Don Del Canto steals several scenes with his strong stage presence and comedic timing.

While the show is filled with great humor and clever wordplay, the choreography could have been improved. Some numbers lacked the precision and tightness that could have elevated the overall energy of the production. However, the witty dialogue and comedic moments compensate, keeping the audience engaged and entertained.

At a runtime of approximately two hours, including a 15-minute intermission, the pacing is brisk, and the production never overstays its welcome. Ticket prices range from $42 to $48, with discounts available for seniors. The Skokie Theatre, located at 7924 Lincoln Ave, offers ample free parking, making it an accessible and convenient venue for theatergoers.
For those seeking a fun and lighthearted theatrical experience.

Romeo and Bernadette is a fantastic choice. Its blend of classic romance, mobster antics, and humorous Shakespearean references makes for an enjoyable evening.

showtimes  ( thru March 2nd)

Fridays and Saturdays at 7:30 PM

Sundays at 2:00 PM,

Tickets can be purchased through the Skokie Theatre box office at 847-677-7761 or online at www.skokietheatre.org. If you’re in the mood for a unique musical comedy that playfully reimagines a classic tale, this production is well worth seeing.

To see what others are saying, visit www.theatreinchicago.com, go to Review Round-Up and click at “Romeo and Bernadette”.