“Dracula: A Feminist Revenge Fantasy, Really” reviewed by Frank Meccia

*** Northwestern University’s latest production, “Dracula: A Feminist Retelling,” challenges the traditional narrative with a bold and captivating exploration of power dynamics, gender roles, and societal expectations. Directed by Jasmine B. Gunter, the play breathes new life into the classic tale, offering a fresh perspective that is both thought-provoking and entertaining. My thinking must change, considering I am reviewing a major University production, and it is bringing today’s issues into the drama. To provoke thought and change.
The casting choices in this rendition of “Dracula” are inspired, bringing a dynamic and diverse ensemble to the stage. Carter Popkin, as the iconic Dracula, delivers a charismatic and nuanced performance that adds layers to the character. Natalie Tangeman, portraying Renfield, brings a mesmerizing intensity to the role, challenging preconceptions and adding depth to the narrative. She is on set for the entire production, and acts as narrator of the story.

The gender-swapped roles are a stroke of genius, with Mario Montes embodying Jonathon Hacker and Sophia Talwalkar portraying Mina Harker. This decision injects a refreshing and empowering energy into the storyline. Montes and Talwalkar’s chemistry on stage is palpable, creating a compelling dynamic that explores the strength and resilience of their characters. The decision to depict Mina as a strong, independent woman navigating her own destiny adds a layer of force to her character that is both empowering and relevant.

Kylie Kim’s portrayal of Lucy Westenra is a standout, highlighting her versatility as an actor. Kim infuses Lucy with a modern sensibility, offering a feminist perspective on the character’s journey. The decision to depict Lucy as the weak woman, who still tries to please her man, to get what she wants out of life. But in death, a strong woman, who now is only out to please her master.

Robbie Mathew as Dr. George Seward provides a solid and engaging anchor to the ensemble. His performance contributes to the overall cohesion of the cast, and his interactions with the other characters provide moments of both tension and tenderness. His ability to except that he was wrong with his male chauvinist way, and to except that Dr. Van Helsing played by Angelena Browne does know the truth in what is happening in the world. That a strong virus is creeping over the land, killing people. As she dispels the myth to reality.
The set design and costumes effectively transport the audience to the Victorian era, while also incorporating contemporary elements that challenge societal norms. The juxtaposition of period-appropriate aesthetics with modern sensibilities serves as a visual metaphor for the play’s central theme: the transformative power of women taking control of their narratives. Even thou the Dramaturg Noah Marcus tries to dispel that idea, in his comments, “he is trying to get the students to think about the way the patriarchal system has such a dramatic effect even now.”

John Doyle artistic direction is skillful, seamlessly weaving together the various elements of the production. The pacing is brisk, and the narrative unfolds with a sense of urgency, keeping the audience on the edge of their seats. His commitment to reimagining this classic tale as a feminist revenge fantasy is evident in every choice, making for a thought-provoking and relevant theatrical experience.

“Dracula: A Feminist Retelling” at Northwestern University is a triumph in its ability to breathe new life into a well-worn narrative. The cast’s exceptional performances, coupled with Gunter’s visionary direction, make this production a must-see for those seeking a fresh perspective on classic tales and a thought-provoking exploration of gender dynamics. This bold reimagining invites audiences to question societal norms and consider the transformative power of allowing women to take the reins for the better.

“Dracula”, which is about 2hours and 30 minutes with an intermission will be playing till March 3rd, with performances:

Thursday   7:30 p.m.

Friday at 7:30, p.m.

Saturday at 3 pm and 7:30p.m.

Sunday at 2pm.

so, if you have never seen a Northwestern Production, this should be your show. Located at 30 Arts Circle Drive on Northwestern’s campus in Evanston, parking is plentiful and free. Tickets can be purchased at the box office or online at www.ci.ovationtix.com, or https://wirtz.northwestern.edu/

To see what others are saying, visit www.theatreinchicago.com, go to Review Round-Up and click at “Dracula: A Feminist Revenge Fantasy, Really”.