December 23, 2024

“Anastasia”

[rating=5] Who says “bigger is better?”. Tonight, we found that some shows belong on a smaller stage in a more intimate venue. Several years ago, we saw a production of “Anastasia” at The Nederlander Theatre, one of the Broadway In Chicago large stages. It was a wonderful production filled with some memorable moments, but tonight, the production we experienced at  the CIBC Theatre ( the old Shubert for those keeping score) was far more enticing and held our attention even more.
With a book by Terrence McNally and music by Stephen Flaherty and lyrics by Lynn Ahrens, one can only expect a solid show. Think of some of their work: “Ragtime”, “Once On This Island”, “Kiss of the Spider Woamn” and “Master Class” and you have to walk into the theater knowing that you will be entertained ( and educated).
“Anastasia” is a little history mixed in with true love and family and  some info about the Romanov family and Russia during the early 20th century is shown. The story starts out with a happy family. The Romanovs, the royalty of St. Petersburg are introduced to us. We meet young Anastasia  played by Alexandrya Salazar ( on some performances Leela Chopra) and her family. These little performers also portray Alexei ( their younger brother) . The family, with the exception of Anastasia and her grandmother the Dowager Empress ( Gerri Weargraff is perfect in this role) are killed. Anastasia disappears and is searched for by her Nana ( the name she called the Dowager) and the  Russian military. In particular Gleb ( a powerful character played by Ben Edquist). She must die so Gleb’s Russia will be in power.
While Nana searches for her granddaughter, women form all over the world reach out claiming that they are in fact Anastasia. In this show, two men, Vlad (Bryan Seastrom) and Dimitry ( deftly handled by William Butler) take Anya ( played to perfection by Veronica Stern) on a journey to fool Nana and win the rewards. Anya has amnesia and therefore no idea as to who she is or who her people are, so she goes along.
As the play goes on, Anya begins to feel things that make her believe that she may have had a life of luxury as a child and at the same time begins to fall in love with  Dimtry. Nana’s lady in waiting, Lily ( Madeline Raube is amazing in this comic role) has a link to Vlad that goes back years. There is a number that they do in  the second act, “The Countess and The Common Man” that will have you in stitches. In fact, I might say that this number alone is worth the price of admission. It is that funny. But, I must say that the entire story is powerful, well directed  (Darko Tresnjak) with marvelous choreography ( Peggy Hickey). They did the original and I am sure that it was followed to the tee with the exception of slight adjustments for the smaller stage.
The set (Alexander Dodge) is amazing considering that this is a bus and truck travelling production and the projections( AAron Rhyne) make this a special treat for the eyes. The costumes (Linda Cho) and wigs (Charles G. Lapointe) add to the visual and the lighting (Donald Holder) and sound (Peter Hylenski) as well as the orchestra ( conducted by Jeremy Robin Lyons) complete the picture. If you saw the last production and feel you need not see it again- rethink this concept. As I said from the start, sometimes smaller is better and in the case of “Anastasia” that is the truth. We may never know if this is a fable or history that is not taught, but as for an entertaining evening of theater, perfection!
“Anastasia” will continue thru Sunday ( the 25th) with the following performances:  ( you only have a few chances to see this wonderful piece of theater.
Wed, Sep 21:2:00pm & 7:30pm
Thu, Sep 22:7:30pm
Fri, Sep 23:7:30pm
Sat, Sep 24:2:00pm & 8:00pm
Sun, Sep 25:2:00pm

Show Type: Musical

Running Time: 2hrs, 20mins; one intermission

The CIBC Theatre is located at 18 West Monroe Street
For tickets www.Broadwayinchicago.com or visit any BIC box offices
To see what others are saying, visit www.theatreinchicago.com, go to Review Round-Up and click at “Anastasia”.