*** There’s something especially rewarding about walking into a theatre space and not quite knowing what to expect—new company, new voices, new energy. It’s one of the true joys of being a reviewer. And in a city like Chicago—where theatre isn’t just entertainment, it’s part of the city’s heartbeat—that sense of discovery never gets old. As Al and I have said time and time again, Chicago continues to lead the way, and it’s companies like Lazy Susan Theatre Company that remind you why.
Founded in 2025 and calling the Greenhouse Theater Center home, this young storefront company closes out its season with Moonwatchers, a delightfully imaginative and offbeat comedy by Nigel Berkely and Corey Farrell. And what a way to make an impression.

The premise alone is enough to make you smile: somewhere far to the north exists a tiny, forgotten town where a select few are tasked with watching the moon—yes, watching it—and making sure everything happens exactly as it should. Whether it’s the cow making its nightly leap or the precise number of sheep required to lull the world to sleep, nothing is left to chance. It’s whimsical, a little absurd, and completely charming from the start.

Under the direction of Nealie Tinlin, who also serves as co-founder and artistic director of the company, the production embraces its playful tone without ever losing its footing. The pacing is brisk, the humor lands, and the story never overstays its welcome. What begins as a humorous look at the monotony of an unusual job quickly turns into something much more adventurous when—of all things—the moon goes missing. And from that moment on, the show takes off in the best possible way.
The intimate upstairs space at the Greenhouse proves to be the perfect setting. There’s something about being so close to the action that makes the world of the play feel even more real, even when that world involves moon maintenance and bedtime logistics. The set, designed by Jon Yawn, is cleverly constructed to allow for smooth, almost seamless transitions, keeping the story moving without interruption. It’s simple, effective, and exactly what this production needs.

At the center of it all are two engaging performances. Elijah J. Jones delivers a standout turn as Allen, the by-the-book supervisor who treats moon-watching with the seriousness of a NASA launch director. His commitment to order, routine, and structure provides much of the show’s comedic backbone, and his ability to slip into multiple roles adds an extra layer of fun.
Opposite him, Renzo Vincente brings an endearing sincerity to Rocko, the wide-eyed rookie who hasn’t yet been worn down by the job’s routine. Vincente gives the character a warmth and curiosity that makes him instantly likable—and ultimately, someone you want to root for as the story unfolds. Together, the two actors create a dynamic that feels natural, humorous, and just a little bit heartfelt.

The technical elements deserve their moment as well. Costume designer Ephraim Page helps define the quirky world these characters inhabit, while lighting designer Emma Berry does particularly strong work in such a small space. Lighting in an intimate theatre can often be overlooked, but here it plays a key role in shaping mood, time, and even a sense of wonder.
And then there’s the location. Nestled in Lincoln Park, near DePaul University, the theatre is surrounded by lively bars and restaurants, making this an easy and enjoyable addition to a night out. Yes, parking can be a bit of a challenge—but with a nearby garage offering validation, it’s a small hurdle for an otherwise delightful evening.

In a time when so much of the world feels heavy, this production offers something refreshingly simple: a chance to sit back, laugh, and let your imagination wander.
For an evening that’s equal parts quirky, clever, and genuinely charming, Moonwatchers is well worth your time. Sometimes, it’s nice to be reminded that even the moon might need someone keeping an eye on it.

“Moonwatchers” is presented by Lazy Susan Theatre Co.

and will continue Thru – May 17th with performances as follows: