*** Another Chicago premiere, and this one, a Pulitzer Prize-winning play written by Sanaz Toosi, dealing with a classroom as four Iranians, where they are told, “English Only” as they prepare themselves to take a test that will allow them to move their lives forward. This is a one act play of 100 minutes designed to allow you to be the “fly on the wall” watching the story unveil. Directed by Hamid Dehghani on a set designed by Courtney O’Neill. The classroom feels real as the four student and their teacher do their thing.
Marjan ( played to perfection by Roxanna Hope Radja) teaches in a unique fashion ( at least for me, as I have never taken a class similar to hers) where they use word games, listening exercises, “show and tell”, and other non-usual techniques to get her students prepared for the next step. As they learn more English, rather than using Farsi, they start to doubt their identities, but they want their green card, and so they must learn.
The students are played by Pej Vahdat as Omid, Sahir Bibiyan as Roya, Nikki Massoud as Elham and Shadee Vossoughi as Goli. they all work well with each other and truly give the impression that they are attempting to gain their green cards so that they can enjoy the “American Dream”. In each scene we watch as each of them discovers more about themselves and each other .Each has struggles with the language and what it means to them.
I hate to be a spoiler, so I will only say that there is a mini love story of sorts within the story and also one that is a little deceptive. One of the students in the class is more American than “not”, and speaks better English than the instructor. Again, I am not revealing this- that is for you to discover as we, the opening night audience did. Part of what transpires as you watch this story unveil is for us to learn a little more about the people of Iran. Most Americans have limited knowledge of the people, and for the most part only know about the bad that has transpired. This play is not political, and shows the real Iranians, who are just like us but speak a different language ( and of course have different traditions).
While our main characters feel that learning English and getting their green card will make them whole, they learn that what they are seeking may do just the opposite. Each of our five characters will reveal a great deal about their lives and their dreams.
“English” will continue thru June 16th with performances as follows:
Tuesdays 7:30pm
Wednesdays 7:30pm
Thursdays 7:30pm
Fridays 7:30pm
Saturdays 2:00pm & 7:30pm
Sundays 2:00pm
Enhanced and Accessible Performances
Farsi subtitled- June 7th at 7:30
ASL interpreted on the same date
Touch Tour and Audio Described June 8th touch tour at 12:30 performance at 2 p.m.
Spanish-subtitled June 8th as well but for the 7:30 p.m. performance
To see what others are saying, visit www.theatreinchicago.com, go to Review Round-Up and click at “English”.
Another view
Review: “English” by Sanaz Toossi
By: Paul Lisnek, Behind the Curtain, WGNRadio.com
****/4
“English”, the 2023 Pulitzer Prize Award Winner for Drama and Obie Award winner by Sanaz Toossi, speaks a universal language. Its premise is seemingly simple, but it’s message far more complex. Four adult students in Karaj, Iran study for the Test of English as a Foreign Language so they can get their green card or admission to medical school or return to their family. The scenes are all set in the classroom and we watch as the cast undertakes exercises to learn English as though this is their true life goal. But for some, it’s the means to an end…and others, have something to hide.
The play addresses cultural identity and pride and asks: where is your true home, both literally and spiritually?
Language is used as a reflection of those values and identity. English” blends humor, warmth, internal struggle over identity and coming to peace with yourself and all in a powerful and thought-provoking way. If you think it’s a play about language, then you miss the true message, which is so much deeper.
“English” has especially powerful meaning today…where people struggle over their identity and relationships with countries throughout the world (think middle east, Ukraine and the like) but need to reflect on their relationship with their own home.
Truly a play not to be missed and an important piece of the Goodman’s ongoing message for us to examine our lives and values… and those are questions worth asking.
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